Thursday, November 08, 2007





Genesis - The Lamb Lies Down on Broadway Demos


Oh, Peter Gabrie-era Genesis. Just the thought makes me wish I had been born earlier. It's a shame that he's too much of a sacred cow (no insult intended) to stoop to tour with them on this reunion thing they got going. I have read his reasons and can totally understand, but nonetheless it prevented me from buying a ticket. They would have had at least $200-$300 of my money if he had come for the ride. I really have no use for the Phil Collins hits or to hear him sing Gabriel's songs. Not knocking anyone's music tastes - just showing off my idiotic reasoning for this. Enough of that, these demos are from my favorite Genesis album of all. Such epic proportions and depth of emotion that must have launched them miles ahead of their peers upon it's initial release. Can't pick any one favorite from the whole but hearing the songs in embryonic form and even instrumental takes is a pleasure to my old ears. Hope one or two of you kiddies enjoy it to.

The enclosed pics of the inserts will show the track listings for all of you - my hands are tired from typing all night.



Disc 1 -





Disc 2 -


Wednesday, November 07, 2007





Bono - The Complete Solo Project of Bono - Volume One


I am not the world's biggest U2 fan, but this was a request and I figured if anyone else was looking for some of these - they are more than welcome. For the record, I do think they are/were a great band and Bono does not annoy me like he seems to do to other people. Oh, they tore him up on South Park a few weeks ago, but they will do that to anyone. This is a four-disc set so let me know. Peace.



01. In A Lifetime (from The Clannad Album Macella)

02. Hallelujah ('Tower of Song: A Tribute to Leonard Cohen' album)

03. Billy Boola (from the OST In The Name Of The Father)

04. Save The Children (from Inner City Blues) A Tribute To Marvin Gaye

05. Silver And Gold (from The Maxi Single Where The Streets Have No Name With Keith Richards)

06. Let The Good Times Roll (from Jook Joint Album By Quincy Jones

07. Tomorrow 96 (from Common Ground Compilation)

08. In The Name Of The Father (from the OST In The Name Of The Father)

09. Can't Help Falling In Love (from Ost Honeymoon In Vegas)

10. I've Got You Under My Skin (from Duests With Frank Sinatra)

11. Two Shots Of Happy, One Shot Of Sad ("If God Will Send His Angels" single)

12. One (Adam Clayton, Larry Mullen Jr., Michael Stipe And Mike Mills)

13. Give Me Back My Job (from Carl Perkins' 'Go Cat Go' album)











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Patsy Cline - June 1960 USAF Show

Found this little Country Music Classic whilst sifting and sorting my stuff around. My wife loves Patsy and that's good enough for me. I know better than to disagree - she's a black belt.


1. introduction
2. Lovesick Blues
3. When Your House Is Not a Home
4. [Army message]
5. Trouble Among the Yearlings
6. Love Walked In (with Don Abrams)
7. How Can I Face Tomorrow?
8. outro



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Prince & The Revolution - 1999 Revisited (2 Discs) April 2, 1983


Aw yes. How many of us remember 1983? Damn, I was in 7th grade and probably 4'6" and 160 pounds of sweaty young man. Oh, the humanity. Akward times, for sure - but DaddyRich was already feeling Prince and the funk he brought to the radio when it so desperately needed it. This was also right about the time I gave up on commercial radio as I finally got a hint of what college radio was doing. So, insted of waiting all day for one of the big stations to play a song I liked, all I would do is tune into the right station at the right time and Bam! all the best music without obnoxious commercials. It was there I discovered disc jockeys who played nothing but hip-hop or funk for hours at a time! Imagine that. And I have never looked back. But I digress, this offering from the Purple Person is that rare treat - a full concert complimented with a rehearsal from the same tour. Long time friends of the Ape will recall my feeling for the music of Prince and will listen accordingly and undeniably be overjoyed. Some of my favorites from this era of the man are included in all ther live glory (the man plays a meeeeean guitar) - 'Controversy', '1999' and 'Dirty Mind' Woohoo! Takes me back to those heady days of bygone times. Hope you all enjoy.




Disc 1
1999 Tour - Convention Center, Fresno, April 2 1983

1. INTRO
2. CONTROVERSY
3. LET'S WORK
4. DO ME, BABY
5. D.M.S.R. (ABORTED)
6. D.M.S.R.
7. LISA'S SOLO - WITH YOU - STILL WAITING (Including GOTTA BROKEN HEART AGAIN)
8. HOW COME U DON'T CALL ME ANYMORE
9. LADY CAB DRIVER
10. LITTLE RED CORVETTE
11. DIRTY MIND
12. AUDIENCE
13. INTERNATIONAL LOVER
14. 1999


Disc 2

1999 Tour Rehearsal January 1983


1. CONTROVERSY
2. LET'S WORK
3. LITTLE RED CORVETTE
4. DELIRIOUS
5. DO ME, BABY
6. HEAD
7. LADY CAB DRIVER
8. LISA'S SOLO - FREE
9. LET'S PRETEND WE'RE MARRIED
10. WHEN YOU WERE MINE
11. 1999
12. D.M.S.R. (Including ONCE IN A LIFETIME)



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Tuesday, October 23, 2007





Eric B. and Rakim - 12" Collection



Oh yes. The President and The "R". What a time for hip-hop it was for all of us heads when these vinyl slabs were unleashed upon the unsuspecting masses. Everything changed. Musical knowledge, the understated rhythm scratch and rhymes with brains and heart were suddenly what we expected from our music. And, except for the music from these Queens geniuses we would be often disappointed by what was to become of our thing. There were no flashy 'transformer' scratches and the musical montage was thick with old-school breaks and a deft hand from Eric Barrier to keep this conscious party rocking. My feeble words cannot encompass what Rakim did to the scene. At the time he rolled up on the scene, it was all about rhymes name-dropping your sneakers, cars and how many women you have. No one else was thinking about the eternal, the ethereal and how real b-boys should conduct themselves. What a blueprint they provided and it makes me even more ashamed when I listen to them and then see what passes for this music (it's no longer 'mine' sadly) these days. Truly sad. But let's all take a trip back to the mid-to late 1980's and early '90's for some of the best rap records ever released. Respect.


Paid in Full 12" Single


1. Paid In Full (7 Minutes Of Madness - The Coldcut Remix)
2. Paid In Full (Album Mix)
3. Eric B Is On The Cut


Move the Crowd 12" Single

1. Move The Crowd (Beatmix By The Democratic 3 Feat. DJ Slack)
2. Move The Crowd (Album Version)
3. Move The Crowd (Wild Bunch Mix)
4. Extended Beat


I Aint No Joke (On The Cut) 12" Single

1. I Aint No Joke
2. I Aint No Joke (Extended Beat)
3. Eric B Is On The Cut.


Follow The Leader 12" Single

1. Follow The Leader
2. Follow The Leader (Acapella)
3. Follow The Leader (Dub)


In The Ghetto- Cassette Single

1. In The Ghetto (Extended Mix)
2. In The Ghetto (Freestyle Mix)
3. In The Ghetto (Drums Mix)
4. In The Ghetto (Cuts Mix)



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Jim Croce - Home Recordings



Please don't allow DaddyRich to get all gushy about how much love he has for Mr. Jim Croce. Man, this cat was awesome. And taken from us all far too soon. I do truly wish there were more available from his canon, but this appears to be the clearing out of his vaults. I do appreciate the inclusion of some country classics that so informed his material that comprised his long lost of hits and great songs. Enjoy

More...

"Recorded in 1967 at the Croces' Pennsylvania house, these recordings of blues, folk, and country tunes come from sessions “done at our kitchen table” according to the beloved singer/songwriter’s wife, Ingrid. “Jim would set up and play, sometimes for ten or twelve hours straight. He put down the songs he was thinking about playing in concert or at the bar that night. The songs on here are ones A.J. thought were most representative of his roots.” They include “In the Jailhouse Now,” “Cigarettes, Whiskey, and Wild, Wild Women,” “Living With the Blues,” “Wish I Could Shimmy Like My Sister Kate,” “Six Days on the Road,” “If the Backdoor Could Talk,” and many more.
“Croce is best known as a folk-based singer/songwriter, but he also had an appreciation of country music, as evidenced by the country twang in his voice on such tracks as ‘You Oughta See Pickles Now,’ ‘Mom and Dad's Waltz,’ and ‘The Wall.’ Fans looking for uncommon Croce recordings will surely cherish Home Recordings: Americana.”—All Music Guide"


1. Living With The Blues
2. Things 'Bout Goin' My Way
3. Nobody Loves A Fat Girl
4. You Oughta See Pickles Now
5. Cigarettes, Whiskey & Wild, Wild Women
6. In The Jailhouse Now
7. If The Back Door Could Talk
8. Who Will Buy The Wine
9. Mom And Dad's Waltz
10. Wall, The
11. Sadie Green (The Vamp Of New Orleans)
12. I Got Mine
13. Wish I Could Shimmy Like My Sister Kate
14. Six Days On The Road
15. Mama Tried



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Nine Inch Nails - Purest Feeling (Pretty Hate Machine Demos)




The one and only Trent Reznor. One of my favorite albums of all time is, of course, 'Pretty Hate Machine' and you can imagine my delight at finding these years ago. These are especially precious, to my mind, because of the pre-heavy heavy angst N.I.N absent here, that came to full fruition in the aforementioned album. Some of these are markedly different from the finished versions (as they should be) but, to my mind, hint at a more pop sensibility. Let's not underestimate the influence of the music of Ministry, who also started with a poppier sound and after a little soul-searching had found their dark niche, as it were. It all comes full circle when you hear the early music of Mr. Reznor and how danceable it was. I say this not as a slight towards any of his music, past or present. I just love the evolution and am grateful to be able to hear these songs in their gestational stages. I have a few more N.I.N. goodies that will be posted shortly. So , I hope you all enjoy these songs.


1 Intro (2:23)
2 Sanctified (5:39)
3 Maybe Just Once (5:10)
4 The Only Time (5:12)
5 Kinda I Want To (5:02)
6 Thats What I Get (4:19)
7 Purest Feeling (2:59)
8 Ringfinger (5:54)
9 Down In It (6:17)



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The Million Dollar Quartet at Sun Studios - Elvis Presley, Johnny Cash, Carl Perkins and Jerry Lee Lewis December 4, 1956

Oh, I am well aware that this offering can be had on a number of blogs but I felt compelled to include it here anyway. I love this one and just recently revisited it a little while back. There must have been a full moon or a unique alignment in the heavens on this particular winter evening in Memphis (hmmmmm....celestial alignment...Memphis...Egypt?...I must consult further..) to put these incredible young men together in the cramped confines of Sam Phillips' rinky-dinky hillbilly studio. Whatever caused them to combine for an evening of song and laughter, we all can be grateful that it happened and the ever-sharp business acumen of Phillips for calling the local paper's entertainment editor to capture the moment. Although there is so many fragments of songs and not much complete, I believe it can still be listened to and enjoyed for it's ability to crystalize a moment in American history, as so few of it's like have been properly captured for us to appreciate. Thank you wikipedia for the below descrition...

"The jam session seems to have happened by pure chance. Perkins, who by this time had already met success with "Blue Suede Shoes", had come into the studios that day, accompanied by his brothers Clayton and Jay and by drummer W.S. Holland, their aim being to cut some new material, including a revamped version of an old blues song, "Matchbox". Sam Phillips, the owner of Sun Records, who wished to try to fatten this sparse rockabilly instrumentation, had brought in his latest acquisition, singer and piano man extraordinaire, Jerry Lee Lewis, still unknown outside Memphis, to play the piano on the Perkins session.
Sometime in the early afternoon, Elvis Presley, a former SUN artist himself, but now at RCA, dropped in to pay a casual visit accompanied by a girlfriend, Marilyn Evans. He was, at the time, the biggest name in show business, having hit the top of the singles charts five times, and topping the album charts twice in the preceding 12 month period. Less than four months earlier, he had appeared on the Ed Sullivan Show, pulling an unheard-of 83% of the television audience, which was estimated at 55 million, the largest in history, up to that time. After chatting with Philips in the control room, Presley listened to the playback of the Perkins’ session, which he pronounced to be good. Then he went into the studio and some time later the jam session began. Phillips left the tapes running in order to "capture the moment" as a souvenir and for posterity. At some point during the session, SUN artist Johnny Cash, who had also enjoyed a few hits on the country charts, popped in. (Cash noted in his autobiography Cash that it was he who was the first to arrive at Sun Studio that day.)
As the session continued, Phillips spotted an opportunity for some publicity and called a local newspaper, the Memphis Press-Scimitar. Bob Johnson, the newspaper’s entertainment editor came over to the studios accompanied by a UPI representative named Leo Soroca, and a photographer.
The following day, an article, written by Johnson about the session, was published in the Memphis Press-Scimitar under the title, "Million Dollar Quartet". The article contained the now well known photograph of Elvis Presley seated at the piano surrounded by Jerry Lee Lewis, Carl Perkins and Johnny Cash."

01 You Belong To My Heart (Ray Gilbert/Agustín Lara) Elvis Presley 0:45
02 When God Dips His Love In My Heart (trad.) Elvis Presley & Jerry Lee Lewis 0:18
03 Just A Little Talk With Jesus (Clevant Derricks) Elvis Presley & Jerry Lee Lewis 3:52
04 Jesus Walked That Lonesome Valley (trad.) Elvis Presley & Jerry Lee Lewis 2:52
05 I Shall Not Be Moved (Ray Gilbert/Agustín Lara Elvis Presley & Jerry Lee Lewis 3:01
06 Peace In The Valley (Thomas A. Dorsey) Elvis Presley 1:20
07 Down By The Riverside (trad.) Elvis Presley & Jerry Lee Lewis 2:11
08 I'm With A Crowd But So Alone (Ernest Tubb/Carl Story) Elvis Presley 1:17
09 Farther Along (trad.) All 1:38
10 Blessed Jesus (Hold My Hand) (trad.) Elvis Presley & Jerry Lee Lewis 1:24
11 As We Travel Along On The Jericho Road (trad.) Elvis Presley & Jerry Lee Lewis 0:42
12 I Just Can't Make It By Myself (Clara Ward) Elvis Presley & Jerry Lee Lewis 0:59
13 Little Cabin Home On The Hill (Bill Monroe/Lester Flatt) Elvis Presley 0:38
14 Summertime Is Past And Gone (Bill Monroe) Elvis Presley & Carl Perkins 0:06
15 I Hear A Sweet Voice Calling (Bill Monroe) All 0:27
16 Sweetheart You Done Me Wrong (Bill Monroe/Lester Flatt) All 0:26
17 Keeper Of The Key (B.Stewart/H.Howard/K.Devine/L.Guynes) Carl Perkins 0:45
18 Crazy Arms (Ralph Mooney/Charles Seals) Jerry Lee Lewis 0:18
19 Don't Forbid Me (Charles Singleton) Elvis Presley 0:56
20 Too Much Monkey Business (Chuck Berry) Jerry Lee Lewis 0:05
21 Brown Eyed Handsome Man (Chuck Berry) Elvis Presley & Jerry Lee Lewis 1:00
22 Out Of Sight, Out Of Mind (Ivory Joe Hunter/Clyde Otis) Elvis Presley 0:45
23 Brown Eyed Handsome Man (Chuck Berry) Elvis Presley & Jerry Lee Lewis 1:42
24 Don't Be Cruel (Elvis Presley/Otis Blackwell) Elvis Presley 1:41
25 Don't Be Cruel (Elvis Presley/Otis Blackwell) Elvis Presley 0:37
26 Paralyzed (Elvis Presley/Otis Blackwell) Elvis Presley 2:36
27 Don't Be Cruel (Elvis Presley/Otis Blackwell) Elvis Presley 0:24
28 There's No Place Like Home (trad.) Elvis Presley 3:18
29 When The Saints Go Marchin' In (trad.) Elvis Presley & Jerry Lee Lewis 2:14
30 Softly And Tenderly (trad.) Elvis Presley & Jerry Lee Lewis 2:27
31 Is It So Strange (Faron Young) Elvis Presley 1:09
32 That's When Your Heartaches Begin (W.Hill/F.Fisher/W.Raskin) Elvis Presley 4:37
33 Brown Eyed Handsome Man (Chuck Berry) Elvis Presley 0:20
34 Rip It Up (Robert Blackwell/J.Marascalco) Elvis Presley 0:03
35 I'm Gonna Bid My Blues Goodbye (Hank Snow) Elvis Presley 0:31
36 Crazy Arms (Ralph Mooney/Charles Seals) Jerry Lee Lewis 3:13
37 That's My Desire (Helmy Kresa/Carroll Loveday) Jerry Lee Lewis 1:17
38 End Of The Road (Jerry Lee Lewis) Jerry Lee Lewis 1:35
39 Black Bottom Stomp (Ferdinand Morton) Jerry Lee Lewis (instr.) 0:54
40 You're The Only Star In My Blue Heaven (Gene Autry) Jerry Lee Lewis 1:13
41 Elvis chatter 0:39

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Elvis Presley - G.I. Blues Collectors Edition


I believe I have already given my opinion on Elvis here, right? Well, to summarize - I appreciate him more as a cultural milestone than as a singer (he wasn't much of a musician), but I do not wish to slight those who may be great fans of his. We may just have to agree to disagree. I DO believe the burgeoning rock and roll movement took a swift kick in the nuts as soon as he was drafted into service for the Army and sent to Germany. If not for Johnny Cash and Carl Perkins and a few others, it may have extinguished altogether before reaching it's fruition. So, for me, this is one of the more bearable Elvis offerings and is offered as an answer to a request. Please understand that I do read all of the e-mails and comments and would love to fill all the requests and such but I have a backlog of about 200 requests and will get to them as my time allows. I hope htere are some fans out there who do not already have this one and it pleases their ears. Peace.





1. Tonight Is So Right for Love (2:12)
2 What's She Really Like (2:16)
3 Frankfort Special (2:55)
4 Wooden Heart (2:02)
5 G.I. Blues (2:35)
6 Pocketful of Rainbows (2:32)
7 Shoppin' Around (2:21)
8 Big Boots (1:30)
9 Didja' Ever (2:35)
10 Blue Suede Shoes (2:05)
11 Doin' the Best I Can (3:09)
12 Tonight's All Right for Love (1:21)
13 Big Boots (Fast Version) (1:14)
14 Shoppin' Around (Alternate Take 11) (2:15)
15 Frankfort Special (Fast Version - Take 2) (2:25)
16 Pocketful of Rainbows (Alternate Take 2) (2:47)
17 Didja' Ever (Alternate Take 1) (2:42)
18 Big Boots (Acoustic Version) (0:58)
19 What's She Really Like (Alternate Take 7) (2:24)
20 Doin' the Best I Can (Alternate Take 9) (3:17)




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The Stooges - Studio Sessions 1972



As is often the case, I find a wonderful description on the web that trumps anything I could write. I recently rewatched "Velvet Goldmine" and continue to be impressed with Ewan MacGregor's Iggy imperesonation. Really uncanny stuff. Lots of goodness and Stooges' madness in this bootleg for you all to enjoy. The review below is from www.dmme.net/reviews/reviews5.html - they are a great resource for kicking musical knowledge.




"THE STOOGES are the band everyone has to re-visit from time to time to recall they were not only about noise. Iggy seems to overshadow hus mates while it was them who secured for the singer a space to freak out in. These recordings hail from 1972, around the "Raw Power" period and after it, when the band set to work on the follow-up. Welcomed in the fold was Scott Thurston whose Jerry Lee Lewis-ey piano shines in "Head On" and no one can ignore Ron Asheton's bass. Hectic rock'n'roll debuted on the "Metallic KO" live album but this version shows how unleashed the band was even in the studio. "Death Trip" is presented here in rough mix, not so wild as one that made the LP. Pop in his best Jagger mood.

"I Got Right", fantastic, organ-driven song eventually appeared in 1975 on Pop's album of the same name. Early variant could have been considered classic had it been released by the band. Kudos to the short solo Blackmore would've been proud of.

Detroit's WABX radio broadcast 1972 sessions and now fans can savour "Hard To Beat" and still poppy "Raw Power" taken off the station's vaults. In case you don't know: "Hard To Beat", once polished and loaded with fiery guitars, turned out as "Your Pretty Face Is Going To Hell".

Another rock'n'roll of this kind is "Cock In My Pocket", previously known only by the "Metallic KO" rendition. But studio version appeared to exist with keyboards' firework provided by one Bob Sheff while . Also there are two jams, "Rubber Legs" and "Pin Point Eyes", dedicating the listener to THE STOOGES methods of work, tight and disciplined despite the rumours. Especially good is the latter, the blues, while James Williamson's solo of the former blows the socks off the feet.

Manzarek-like organ adorns mighty "Open Up & Bleed" which you could easily confuse with stoned Mick The Stone track. And more DOORS feel to "Johanna" to pop up later on Iggy's "Kill City".

A valuable addition to THE STOOGES' catalogue, a fun not only for a fan."


1. Head On

2. Death Trip

3. I Got a Right

4. Hard to Beat

5. Cock in My Pocket

6. Rubber Legs

7. Johanna

8. Pin Point Eyes

9. Open up and Bleed

10. Raw Power



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